Sympathy for Nora in Henrik Ibsens A Dolls House Essay examples -- A

Sympathy for Nora in Henrik Ibsens A Dolls bear In A Dolls House, Henrik Ibsen primarily addresses issues non only relating to women in Norway, provided to women embarking on twentieth century life in general. To achieve his craved effect, he employs the use of contextual dialog and places Nora as the central character, which gives her a great edge. Because of her prominent social occasion throughout the play, she becomes familiar, and what is familiar is favored. With the lone exclusion of the exchange between Mrs. Linde and Krogstad at the beginning of Act III, in that location is not a single scene that features a dialog that in around way does not include a prominent part from Nora. It in short becomes apparent that Nora emerges from the dramatis personae as the pice de rsistance Ibsen intends to win our sympathies. In Act I, scene I, the stage is set, bringing the meaning behind the plays act into sharp focus. Here, Ibsen uses contextual dialog to demonstrate that Nora i s indeed, as the title implies, dinky more than a doll in a toy house, a plaything that Torvald doesnt take seriously. For instance, Torvald asks Is that my unforesightful lark twittering out there? Is it my little squirrel bustling about? (Ibsen, 500). A short pace later, he calls her a poor little girl, and then adds you neednt ruin your dear eyes and your bonny little hands (502). Nora appears to willingly-if not a little navely-play into this role after clapping her hands she replies, No, Torvald, I neednt any longer, need I Its wonderfully lovely to hear you say so (503). A foster issue Ibsen presents for consideration in the first scene is a tidings of money, Nora appearing to play the role of the pampered child with a penchant for burnished coins clin... ...lly good reason for favoring Nora beyond our sense of familiarity with her she lies, she cheats, she rationalizes, she walks out on her keep up and children-she is not an innocent character. But is this tendency no t the wont of homophile nature, to excuse that which is connected to us while failing to consider there is a whole other side to the issue? It would seem that by the prominence Ibsen affords Nora, he masterfully steers our sympathies in her direction like a crafty rhetorician employing the Greek concept of kairos. By what he chooses to declare (and conceal), Ibsen has us feeding out of the palm of his hand, for in the end, it could be verbalize that life is all a matter of perspective . . . almost. Works CitedIbsen, Henrik. A Dolls House. Literature The Human Experience. 8th ed. Ed. Richard Abcarian and Marvin Klotz. Boston Bedford, 2002. 499-557.