Life as a White Man in The Autobiography of An Ex-Colored Man :: Biography Biographies Essays

Life as a White valet de chambre in The Autobiography of An Ex-Colored Man...the effect is a tendency toward infirmer complexions, especially among the more active elements in the race. Some mightiness film that this is a tacit admission of colored people among themselves of their own lower rank judged by the color line. I do not think so. What I have termed an inconsistency is, after all, most natural it is, in fact, a tendency in accordance with what might be called an economic necessity. So far as racial differences go, the United States puts a greater bonus on color, or better, lack of color, than upon anything else in the world. --the protagonist (page 72)James Weldon Johnsons first-person teller in his fictional account, The Autobiography of an Ex-Colored Man, forwards a cynical, if not Darwinian, point-of-view nearly skin color. He claims it is most natural for black people to procreate with those who are lighter skinned. And he coolly excuses this supposedly common dress as pure economic necessity. The Black Nationalist must refuse this fatalism. The Marxist simply chalks another one up for his side. What about the improver? What is he or she to make of such unreasonable and callous play used to pursue the American Dream? The sympathetic humanist might bristle at first, but would eventually concur. For its hard to argue with poverty. At the time the novel was published (1912), America held very few opportunities for the negro population. Some of the more successful black men, men with money and way savvy, were often porters for the railroads. In other words the best a boylike black man might hope for was a position parcel whites on trains. Our protagonist--while not adverse to hard work, as evidenced by his cigar rolling apprenticeship in Jacksonville--is an artist and a scholar. His ambitions are immense considering the situation. And give thanks to his fair skinned complexion, he is able to realize many, if not all, of them. thither i s some evidence that connects our protagonists line of thinking with his upbringing. Our protagonists mother tells him, The best origination of the South is in you, (page 8) when the child asks whom his father is. Clearly, his mother was proud of (and by chance still in love with) this genteel white man who gave her a son. So his bold pronouncements make much sense in light of his own condition.